If there is most other ticket, would you go with me?
---the worldly concern asked the wo earth, in smoky voice and
tedious eyes
I have never watched such a painting that so slow in motion and so dimmed of understanding like this before. The Hong Kong movie In the Mood for Love, which is celebrated for portraying the traditionally eastern beauties, depicts a vague family between two married people. Kar Wai Wong, director of this film, comments the whole hunch forward story as a bittersweet dream in which the love and flipped moments are expressed so implicitly because of the guardianship of deviating the norms in 1960s Hong Kong and he deems it as his favorite production. Bunches of hanker shots and eye contact without explicit expression and explanation passim the film, I got lost several times. But when the typical medical specialty arouses, the alluring tunes make every subtle segments starts to change, and the love flowing between the two is tinted as mysterious and surreptitious.
The flowing feeling of protagonists gets clearer to audiences by the hinted score which meanwhile enhances the ambivalence of both of the man and woman.
Vagueness seems the ever-lasting alkali of the film but of which the typical score penetrates some of the vagueness by making hints to try to define the exact motion of the protagonists, though still leaving other scenes being undecipherable in order to keep the ambiguous relation of the man and the woman and whole film in the sense of ambiguity.
The theme of the score is a little bit old, which the director comments as contradictory but nevertheless so sexy in a way. If listening to the music without watching at the scene, we lav get some basic characteristic and main estimate of the score. Starting striking in the back with implicitly seducing, triple-time shell convey and keep the feeling of...If you want to get a full essay, order it on our website: Orderessay
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