Stamping Ground; A contemporary dance choreographed in 1983 by Jiri Kylian, was a moment of movement that was inspired by traditional dances of the Australian cardinal people. Throughout his choreography his style has been greatly energetic and contemporary. The ocular motions in Stamping Ground are physically powerful and level claim to creature references. (Snake, monkey/gorilla, spider/insect, emu, etc.)
Throughout the piece a common motif consumes which work in typify the natural boundaries of the living organism and original people, portrayed in Kylains composition. In the effectance there are 6 dancers which from each iodine represent a diverse animal creature. They each perform a solo and them come together as a group. There are no more thusly 3 or four dancers at a time execute on the stage. When dancing as a group they usage a lot of cannon, for ensample when they pair up and one is crouched down and the other jumps up then vies versa, another sections is when then present there jumps, each dancers jumps at a different time which is also called cannon.
Variation from the sharp motions, where the movements are softer, the performers are choreographed to dance additionally using the balls of their feet which in turns gives the audience the atmospheric feel of elegance and weightlessness the Aboriginal people pose in their traditional dance.
In the solos and group dance many an(prenominal) different levels are used, such as; High, Medium and low. I think Jiri Kylian used all levels of aspect, as he valued to represent the animals as much as he could. An example of all three levels in shown in all the animal typeistic solos, example; In the spider/insect solo. The dancer performs on a low level consisting of rolls and crawling forward, a medium level scrambling from side to side and a high-pitched level when running her toes. Each of these levels represents her spider/insect character in the dance....If you want to get a full essay, ordering it on our website: Orderessay
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