Harriet Dye
College English, Vol. 25, nary(prenominal) 7, pp. 514-517
Apr., 1964
JR Dimayuga, Gajender
Glossary:
Superfluous extra, excessive, unnecessary, unessential.
Thesis: Shakespeare explores of the concepts of illusions through the uses of clothing and love, wisdom in the cases of Gloucesters ocular blindness and Lears intellectual blindness, and the use of nature and the importance of nurture to reinforce the strawman of the theme of appearance versus currentity in King Lear.
launching Material: Harriet Dye begins her essay by telling readers more or less the rich texture of King Lear, saying how others have do attempts to investigate the complex orchestration of King Lear, and in the promise that the investigation of the sums will illumine the magnificence of the whole.
quarrelsome Units:
Illusions
-Cordelia stands in direct contrast to Lears tragic speck his inability to recognize the inner truth unless it is clothed with outer(a) show.
-There is no discrepancy between Cordelias documentary self and the self she exhibits to others.
-Edmund makes Edgar appear to be something he is not. Edmund distorts the real image of Edgar to serve his own evil purposes. Edmund creates an illusion for Gloucester.
-Edgar, the effectual son in disguise, pretends to lead his blind father to his termination at the cliffs of Dover. Through the illusion of death Gloucester is led to an acceptation of the afflictions of life-a form, however shadowy, of an acceptance of reality.
-Man so beclouds reality with the superfluous-pomp, authority, reputation, clothing..
- habiliment imagery and motif are the illusions that differentiate appearance and reality
-When Lear strips his clothing, it represents his throw off of all superfluities.
- รข€¦ all the skill I have remembers not these garments (IV.vii.66). Implicit in this failure to recognize his clothing is the sure thing that this Lear is a much, but not completely, changed man.
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